I’m (unfortunately) reminded of Peter Weber’s present Group Dates, where participants were built to sashay a catwalk down or pose in swimsuits for the photoshoot.

I’m (unfortunately) reminded of Peter Weber’s present Group Dates, where participants were built to sashay a catwalk down or pose in swimsuits for the photoshoot.

Their shows had been never ever judged for his or her real runway stroll or modelling abilities, exactly however for how convincing their “chemistry” with Peter was (code for just exactly how willingly they’ll stir up drama. )

You might say, that system is more defensible in that it surely ended up being a number of the almost no time with Peter they’d get that time, and people females weren’t real runway or swimsuit models. We weren’t passing up on some exciting or collaborative artistry by them perhaps not centering on their “craft” or correctly representing their abilities. But on Listen To Your Heart, the singing and playing is really what these participants do. They certainly were cast because of their talent—why cast them with it, limiting their options to collaborating based predominantly on romance, not artistic or creative compatibility for it and then stifle what they can do? Continue reading “I’m (unfortunately) reminded of Peter Weber’s present Group Dates, where participants were built to sashay a catwalk down or pose in swimsuits for the photoshoot.”