A novelist writes about intercourse and steals through the most readily useful
“As a matter of known fact,” F. Scott Fitzgerald published, “I have always been an expert literary thief, hot after the most readily useful types of every journalist in my own generation.”
And oh, just just exactly how hot we authors are. We’re expert literary thieves, also it; we absorb and take and study if we don’t know. We take style (think stream-of-consciousness). We take plot (think The full Hours and Cunningham’s adaptation of Woolf’s Mrs. Dalloway). We take the “vibe” of something—using epigraphs as a real method to obtain the character and power of some other author’s work. So we take nerve. We’ve probably all felt exhilarated after reading an writer who makes us feel differently.
Gabriel Garcia Marquez, after reading the line that is first of The Metamorphosis, wrote: “When I read that line, I was thinking to myself that i did son’t understand anybody had been permitted to compose things such as that. If I experienced understood, I would personally have begun composing in the past. And so I immediately began composing.”
Its this types of stealing that I’m many thinking about. Certainly, my thievery involves stealing one thing—the neurological to create about intercourse. Maybe maybe perhaps Not relationship, maybe not porn, but intercourse, the mess that is real of, the moments that don’t get well, the changing times that do, the embarrassing or vulnerable moments that happen when two different people meet up, nude.
For almost 2 decades, I’ve been spending severe awareness of intercourse scenes in literary works: who was simply composing intercourse scenes well? Continue reading “A Writer’s Suggestion for Composing Better Sex Scenes: Steal”